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Oil Paintings
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TIBALDI, Pellegrino Italian Painter, 1527-1596
Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds |
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TIBALDI, Pellegrino Adoration of the Christ Child gi 1548
Oil on canvas
Galleria Borghese, Rome
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TIBALDI, Pellegrino Gathering the Manna mk84
1586
El Escoria,Sagrario
fresco
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TIBALDI, Pellegrino Marty of St.Lawrence mk84
1592
El Escorial
basilica
canvas
419x315cm
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TIBALDI, Pellegrino Martyrdom of St Lawrence 1592
Oil on canvas,
419 x 315 cm
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TIBALDI, Pellegrino Adoration of the Christ Child 1548 Oil on canvas Galleria Borghese, Rome Pellegrino Tibaldi (also Pellegrino da Bologna) was influenced by Perin del Vaga during a stay in Rome in 1547 (as seen in the decoration of the Castel Sant' Angelo). Later he orientated towards Michelangelo. In his Adoration of the Christ Child, 1548, Pellegrino Tibaldi surrounds the infant Jesus by a whirling crowd of worshipping figures reminiscent of the angels and the damned in the Last Judgement in the Sistine Chapel. Artist: TIBALDI, Pellegrino Painting Title: Adoration of the Christ Child , 1551-1600 Painting Style: Italian , , religious
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TIBALDI, Pellegrino La Sacra Famiglia con Santa Caterina d'Alessandria di Pellegrino Tibaldi e un quadro 1554-1555
Medium oil on panel
cjr
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TIBALDI, Pellegrino
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Italian Painter, 1527-1596
Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the Shepherds
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